Teen suicide band lets stir the honey pot

This makes sense for someone whose project was formerly known as Teen Suicide - a band name he found regretful and embarrassing, born from his personal brand of dark irony and from an expectation that the project would never blow up. Sam Ray takes his time parsing words when he speaks about his band, American Pleasure Club, and their new record, A Whole Fucking Lifetime of This. Read more reviews: /columnists.The front man on making music because you wantР’В to, even if you hate it. Hold/Still features its strongest set of tracks yet.Р”В¬alvet is Radio 1190РІР‚в„ўs music director. The group may sound very similar to its contemporaries, but SuunsРІР‚в„ў What Suuns does so well is meshes together opposite ends of the musical spectrum without going too far in either camp, resulting in a style that appeals to multiple audiences. РІР‚СљTranslateРІР‚Сњ is a spidery, menacing track with driving poly-rhythmic guitar and drums. Tracks like РІР‚СљUN-NOРІР‚Сњ feature electronic synths and drum patterns mixed with rabid, barbed guitar - only to be soothed by Thom Yorke-influenced crooning vocals. Much like Viet Cong, or even Palm, the group takes post-punk and pop structures and throws a wrench in the gears to bring us an unconventional but enjoyable sound to the trained ear.

Though the group creates heavily orchestrated compositions, the off-kilter nature of its sound lends for a more organic and exciting listen. Hold/Still, the third studio album from Canadian experimental-rock band Suuns, juxtaposes dark with light, electronic with rock and pop with avant-garde in equal measure. It takes time to dissect and pick apart, but at first listen, itРІР‚в„ўs instantly enjoyable and unmistakably timeless. Singing Saw seems to be a deeply personal album. Closing track, the gospel-influenced РІР‚СљWaterРІР‚Сњ is a piano-led track boasting a rocking, country swing.

РІР‚СљI Have Been to the MountainРІР‚Сњ is a rollicking, freewheeling stomp with an infectious, catchy bass line and a strong chorus line that avoids a fall into the clichР“В© pitfalls of folk rock. Pulling influences from РІР‚в„ў60s folk like Bob Dylan and Lou Reed, Morby adds a modern twist with more refined songwriting, thus creating his strongest tracks to date. Released his third solo record, Singing Saw, on his new label, Dead Oceans. The former bassist of Woods and the frontman of The Babies, singer-songwriter Kevin Morby What it lacks in to production-value consistency, it makes up for in originality and songwriting. Overall, ItРІР‚в„ўs the Big Joyous Celebration, LetРІР‚в„ўs Stir the Honey Pot is a magnificent effort from Ray and company. Clocking in at more than an hour, thereРІР‚в„ўs a lot to chew on. The 26-track album is a big pill to swallow. Standout track, the heartfelt РІР‚СљFalling Out Of Love With Me,РІР‚Сњ is simultaneously comforting and odd - which, for a song about losing feelings for someone, is quite appropriate. Though the track is likely personal, the reverb-drenched vocals make the story sound like a blurry distant memory with lost details. РІР‚СљAlexРІР‚Сњ is a melodic and shouting romp about suburban drug abuse and its affects on teenage life. Undoubtedly, the tracks are dark and emotional, but sloppy off-the-cuff performances also make it mysterious and detached in an enthralling fashion. Though the mood and feel of it is lo-fi punk, the group ties in influences from midwest emo, ambient, post-punk, noise, folk and pop. ItРІР‚в„ўs the Big Joyous Celebration, LetРІР‚в„ўs Stir The Honey Pot, has a much cleaner production than prior releases. Though Ray is the frontman, itРІР‚в„ўs a collaborative full-band effort that takes on multiple styles and genres. This year, infamous and prolific lo-fi artist Sam Ray unexpectedly returned to his cult-famous rock project, Teen Suicide

Teen suicide band lets stir the honey pot